As if we dont have enough nut cases of our own --- Francois Gautier ! this
is not the first time he is doing this exhibition thing. he has talking
about this and raising funds for it since gujarat riots. and i seem to
remember him having actually put together one exhibit. he has been raising
funds throuh overseas hindutva and some fringe indology networks. 200 crore
museum in Pune ? that will make sure to stoke up trouble whenever things
see this report where he whines about how the french government doesnt take
him seriously even though he has been given the natchiketa award by atal
the maninderjit singh bitta that the above report mentions is the same youth
congress leader who played an important role in facilitating SP
Gill's covert action against terrorism (mainly promoting bogus militant
groups in punjab and recruiting local thugs as special police officers) and
the same guy who lost his leg when a bomb targeting him went off near
the youth congress building in delhi in 1993.
he quit the congress at some point and since then has been up to some
strange antics see the link below
I had the opportunity to have a discussion with this gentleman (Francois Gautier) some time back in Bangalore, at the end of which he was reduced to tears because of what he referred to as my "anti-nationalism, anti-patriotism and anti-indicism". I had pointed out numerous absurdities in what he had spoken about, including the interpretation of the name "Hindu Kush" (of the mountain range in modern Afghanistan and NWFP of Pakistan, that radiates out westwards from the Pamir Knot) as "Hindu-slayer"...
..This proposed museum and moving exhibition by Gautier has potential for great mischief as it can be used as an instrument to foment communal tension. I hope people in and around Pune takes notice.
( Partho )
The point is what effective steps we can take to stop
I've already sent the message to: "Amnesty India"
< firstname.lastname@example.org>, "AMNESTY"
Maybe others also may do something likewise.
But something more effective?
Gautier, as it appears, is a French national. How to
ask for his deportation for carrying out hate
October 02, 2007
Hindu Janjagruti Samiti Exhibition in Goa: An Invitation to Hate
An Invitation To Hate and Spread It
Jason Keith Fernandes
This weekend I had the misfortune of visiting the most obnoxious exhibition. Set up by the Hindu Janajagruthi Samiti, the object of the exhibition was to 'educate' the average Hindu about the violence by Muslims on the Hindus of Kashmir and Bangladesh. I say 'educate' the Hindu, since every display of violence was followed by a caption addressed to the viewer indicating that if they were Hindu, then these visuals should make their blood boil, and tomorrow this violence could possibly be visited on them. If they were not moved, they were not fit to be - and hence not - Hindu. The theme of the exhibition purported to be the violence occurring in Kashmir, and yet, addressing the plight of the Kashmiri whether Hindu or Muslim was not its concern. On the contrary, the attempt through the exhibition was to ensure that local Hindus see the local Muslim as the natural and necessary enemy. What this exhibition is, therefore, is a very clear and deliberate attempt to create communal divisions in Goa.
Now I am not surprised by this display of anti-Muslim hatred, since one has gotten used to seeing this daily violence perpetuated for not being a certain kind of Hindu. For the Hindu right wing, it is not enough to hate only the minorities. Not being brahmanised upper-caste and minority hating is just as bad in their book. What is surprising is that this very blatant organizing of Hindus against Muslims (and by logical conclusion against the Catholics in Goa) is that it is taking place in the premises of the Kala Academy. Why the premier cultural institution of a secular state is allowing violent activities on its premises is a question that the authorities of the Kala Academy must immediately answer. The authorities can reprieve themselves of this abuse of authority only by withdrawing permission for this exhibition immediately. Worse, this is not just an exhibition; there was also a screening of inflammatory documentaries, followed by similar discussion sessions which were nothing short of unnerving.
Walking through the exhibition, the organizing women clamoring quite literally for the blood of local Muslims, was extremely unnerving. I fancy myself as a reasonably rational individual not given to acts of passion. And yet in this environment, I was strangely drawn toward pulling down the posters, destroying the projector and disrupting the meeting that was being conducted, knocking a few heads while I was at it. It was when placed in this environment that I finally realized what it must be like to be a persecuted minority, and especially a Muslim in this country. Every apparently innocuous saffron flag is in fact a threat, telling you that your time is coming and you had better be careful. If then I, as an individual who is not being directly threatened here, who has an escape route out of the country in terms of livelihood options, should respond irrationally and violently to such stimuli, how would a Muslim, already on the economic fringes of society, and subject to no less that 60 years of harassment respond to this threat? The object of the exhibition then, is twofold. It is first to tell the individual that you are Hindu (or not Hindu) first, and that every Muslim is your presumed enemy and you should 'get' them before they get you. The objective: The creation of a communal divide, and an invitation to violence. It exceeds this-one sided mobilization however, and also operates as a provocation to local Muslim groups. Of course, once the Muslims have been hounded enough to retaliate, all of society will turn around, refuse to see the provocation and shrug, saying "It is true, these Muslims are violent by nature." A minimum of 60 years of such violence has produced nervous and insecure Muslim groups in India. 60 and more years of Hindutva aggression has created the communal bloodbaths of this country, and the current exhibition is a fantastic example of who and what is responsible for it.
This particular exhibition has been touring Goa for some months now and it is a sign of the power and arrogance of these groups that they dare to take over the Kala Academy, the space of the secular and sophisticated in our capital. This is nothing less than a final flexing of muscle before they act out their fiendish agenda. While we must guard ourselves from this venom, they must first be cast out from the Kala Academy and the Academy asked to explain how they got there in the first place.
[The exhibition mentioned in this article is a photo-documentation by Francois Gautier. He subscribes to the fascist Hindutva project, see http://en.wikipedia.org/wiki
Permalink posted by Caju on Tuesday, October 02, 2007
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